The Room That Makes You Listen: xBk's August
There is a particular kind of magic in a 250-person room, and Des Moines is lucky to have someone who built one on purpose.
xBk Live, tucked at 1159 24th Street near Drake, is the metro's dedicated listening room — a small performing-arts venue co-founded by Tobi Parks, a former music-industry attorney who left that world to build something the city didn't have: a stage designed around the artist and the sound, not the bar tab. The result is a room where the crowd actually shuts up, where an original songwriter can hold a hush, and where genre is treated as an invitation rather than a lane.
You can read that philosophy right off the August calendar, which is one of the most stylistically restless in town.
It opens Tuesday, August 11 with Raynes (plus Dickie), atmospheric indie-pop built for exactly this kind of intimate, high-fidelity space. Then, two nights later, xBk does the thing only a fearless small room dares: August 13 brings death-metal institution Six Feet Under (with Fuming Mouth, Flesher and Crucifilth), turning the listening room into a pit for one gloriously punishing night. August 14 swings back to songwriter territory with Weather Beacon Blue and Jamie Poulsen, and August 15 hands the stage to Chicago hip-hop duo The Palmer Squares with The Unique Vibrationz.
The range doesn't stop there — later in the month the room hosts alt-country favorites American Aquarium (Aug 21) among others. Indie-pop, death metal, hip-hop and Americana inside a two-week span, in a room that seats fewer people than a lot of wedding receptions.
That's the case for the small venue as a civic asset. Big rooms chase sure things; a listening room can afford to be curious. It can put a touring metal band and a whisper-quiet songwriter on consecutive nights because its whole identity is that the space serves whoever's on stage. For local original artists especially — the ones who need a real stage, real sound and a real audience before they're a draw anywhere else — a room like xBk is the difference between a scene that develops talent and one that only imports it.
Parks has spoken publicly about the economics of keeping an independent room alive; nobody does this to get rich. They do it because a city that can't host an original band in a proper listening room isn't really a music city, whatever its bigger venues book.
So this month, do the small-room thing at least once. Buy the ticket, get there early, and — this part matters — actually listen. On some nights that means holding your breath through a ballad. On August 13, it means bracing for Six Feet Under. Either way, you'll be doing your part to keep the smallest, bravest room in town lit.
Sources: xBk Live calendar; xBk Live — About; Cityview: Behind the doors of Des Moines' music venues